MONOLORD Kick Off Scandinavian Dates in February!

Gothenburg trio MONOLORD will kick off a run of Scandinavian dates that kick off in Porsgrunn, Norway on February 8, 2018

MONOLORD
February 2018

8/2 Porsgrunn, NO: Rockeklubben I Porsgrunn
9/2 Oslo, NO: Revolver
10/2 Sandnes, NO: Tribute
15/2 Copenhagen, DK: Musik Loppen
16/2 Malmö, SE: Plan B – malmö
17/2 Gothenburg, SE: Truckstop Alaska
20/2 Stockholm, SE: Slaktkyrkan
22/2 Tampere, FI: @Klubi / Tampere
23/2 Vaasa, FI: Leipätehdas / DOM Munkhaus
24/2 Helsinki, FI: Kuudes Linja

Also previously announced is that MONOLORD team up again with UK caveman battle doom outfit CONAN to bring heaviness to the UK and Ireland starting in Birmingham on May 7, 2018.

Prior to that they appear at Desertfest Berlin and Nijmegen with Monster Magnet and end in Leiden, Netherlands on May 20th, 2017.

MONOLORD
May 04 – Berlin, DE: Desertfest
May 05 – Nijmegen, NE: Doornroosje (w/Monster Magnet)
May 06 – TBA*

CONAN + MONOLORD
May 07 – Birmingham, UK: Mama Roux’s
May 08 – Manchester, UK: Rebellion
May 09 – Glasgow, UK: Audio
May 10 – Nottingham, UK: Rescue Rooms
May 11 – Brighton, UK: The Green Door Store

MONOLORD
May 12 – Bournemouth, UK: The Anvil

CONAN + MONOLORD
May 14 – Bristol, UK: Thekla
May 15 – Dublin, IE: Voodoo Lounge
May 16 – Belfast, UK: Voodoo
May 17 – Stoke, UK: Sugarmill

MONOLORD
May 19 – TBC
May 20 – Leiden, NE: Gebr De Nobel (Small Hall)

MONOLORD were number 1 album of 2017 at Doom Charts – HERE!

MONOLORD streamed their phenomenal Rust album via Metal Sucks. The album, which received universal praise in reviews is available to hear and share – HERE!

The band previously released the title track, which also features John Gamino (Mondo Drag) on keyboards and Trevor Church (Beastmaker) playing a guitar solo at the end of the tune. Hear and share “Rust” via YouTube.

And the album opening song “Where Death Meets The Sea” is available to hear and share via YouTube and Bandcamp.

Monolord is a rare breed: A band both encompassing and transcending genre; a vortex of heavy rock density that consumes all others. Their thunderous, tuneful heft has built a rabid international fan base in short order since their 2014 debut. But Rust, the band’s third full length, truly exemplifies why some refer to them as the Nirvana of doom.

Monolord’s enveloping, syrupy sludge is a vibe, it’s a state of mind. Not riffs for riffs sake, but a collective buzzing, rattling and rumbling that’s more total environment than a collection of songs. Together, guitarist/vocalist Thomas Jäger, drummer Esben Willems and bassist Mika Häkki create a massive, dynamic sound with ultra-low frequencies serving as its fourth member.

“We’ve always been inspired by great band musicians – as opposed to technical solo peacocks,” Willems says. “Because that force of a band really playing together as one single unit is incomparable. At its best, it’s just unstoppable.”

And, Monolord is truly unstoppable, on record and on stage. “A heavy groove that contains both bombastic overkill and a lot of dynamics is what we always aim for in Monolord; in playing, in songwriting and arranging, in recording,” Willems says.

Album opener “Where Death Meets the Sea” perfectly exemplifies their mastery of dynamics and hooks with a driving, infectious buzzsaw riff that lesser bands would ride off into the sunset, but Monolord uses subtly to spur the song’s skull-rattling rhythmic core ever onward.

Jäger’s watery vocals glide over ominously building verses that erupt with the song’s insistent refrain. Being such a tight rhythmic unit, it sounds almost like an early ZZ Top record played at half speed.

“Dear Lucifer” squeals and hums with slow deliberation as Willems summons Dale Crover pummel with chasm-like low-tuned toms and syncopated cymbal crashes.

The album’s title track is also its centerpiece, opening with a dramatic, shimmering Hammond organ intro as Jäger sings, “you are the reason that I lied/ You are the reason that I cried/ Please don’t wait until tomorrow/ There’s only pain, hate, grief and sorrow.”

Suddenly, the band kicks in with a bellowing line down-tuned to B that nosedives down the guitar neck as the drums hammer down for the kill. Elsewhere, tastefully understated guitar harmonies elevate the behemoth churn of “Wormland” and apocalyptic album closer “At Niceae” simmers in a slow build of rumbling guitars and rolling drum triplets.

Monolord formed in 2013, quickly recording their 2xLP debut Empress Rising, which RidingEasy Records released in April 1st, 2014. The second album, Vænir, followed April 28th, 2015.

The 2-song Lord of Suffering / Die in Haze EP was issued in late 2016 amid the band’s relentless touring schedule in order to tide fans over until the next full length. Vænir landed on countless Album of the Year lists in 2015, and Rust is poised to open an entirely new range of possibilities for Monolord.

More information at:
www.ridingeasyrecords.com